As most of you probably know, Netflix no longer bothers with the offbeat films I tend to review, either as DVD or streaming. Since my reviews cover documentaries, foreign films and American indies that tend to be shown in art houses like New York’s Film Forum, I always regret that my readers living in cities or towns where there is nothing but Cineplexes are forced to choose between multimillion dollar movies about space aliens or Judd Apatow comedies.
The good news is that Amazon and ITunes have picked up the slack. Although I hate Jeff Bezos and Tim Cook just as much as the next person, I am glad that these types of art house films can now be seen in the same year they premiered for between $3.99 and $5.99 in these venues.
I tend to avoid identifying “best of” movies or directors after the fashion of the Academy Awards and only take part in New York Film Critics Online yearly awards meetings because members are expected to take part. This week’s Golden Globe awards ceremony pretty much sums up why the whole thing turns me off. Although I managed to sit through “La La Land” that walked off with the lion’s share of the awards, I found it far less interesting than the narrative films listed below that were diametrically opposed to Damien Chazelle’s sugar-coated retro-musical.
The twenty films listed below were among the best that I saw this year but I would be loath to sort them in order by preference rather than alphabetical order. Competition of this sort always turned me off whether it is for the Nobel Prize (good for Dylan to avoid the tuxedo and gown spectacle) or even for the Isaac Deutscher Prize. I wonder sometimes what Trotsky’s biographer would think of Marxists competing with each other for a £500 prize. Or Leon Trotsky for that matter, who is history’s greatest loser in some ways. I tend to identify with losers so I guess I’ll never fit into an American society that now has its President the host of “Apprentice” where “losers” are humiliated for failing to come up with some “winning” strategy for selling junk of the sort that Trump’s Empire is built on.
All of the films below can be seen on Amazon streaming and probably ITunes, although I haven’t checked that out. By and large, they are released to both platforms at the same time. That is why, interestingly enough, that Amazon is not part of the menu that comes with Apple TV, Tim Cook’s rip-off of the Roku box.
Needless to say, none of the documentaries likely made it to cities and towns that lacked an art house. Most of the narrative films are those that were also released in such theaters with a few exceptions made for two films that deserve being singled out: “Free State of Jones” that I consider a political and artistic breakthrough and “Snowden”, Oliver Stone’s best work in many years.
Finally, I include a brief excerpt from my review of the films with a link to the full review.