Louis Proyect: The Unrepentant Marxist

February 22, 2019

Netflix series on the Sinaloa drug cartels

Filed under: Counterpunch,crime,drugs,Mexico,television — louisproyect @ 2:55 pm

COUNTERPUNCH, FEBRUARY 22, 2019

Not only was Ernest Mandel the leading Marxist economist of his time, he was also a big fan of crime stories. In his 1984 Delightful Murder: a Social History of the Crime Story, he made an essential point about organized crime from a Marxist perspective as well as showing a remarkable grasp of popular culture:

Organized crime, rather than being peripheral to bourgeois society, springs increasingly from the same socio-economic motive forces that govern capital accumulation general: private property, competition and generalized commodity production (generalized money economy). The Swedish pop group Abba summed up the situation eloquently in their song: ‘Money, money, money — It’s a rich man’s world.’ (Their own fate is a vivid illustration of this law: with the huge income generated by their records they promptly created an investment trust and contributed on a large scale to the election funds of the bourgeois party coalition.) But a rich man’s world is also a rich gangster’s world particularly since the top gangsters have grown richer and richer in relative terms, and are certainly qualitatively richer than even richest police, or the overwhelming mass of politicians. (Nixon himself was conscious of the disparity.)

A couple of months ago my wife reminded me that season four of Narcos and season three of El Chapo were up and running on Netflix. Although I hadn’t written anything about the El Chapo series, it seemed like a good opportunity to cover both since they dealt with the drug cartels in Mexico that were very timely given El Chapo’s trial. In addition, they are about the best entertainment available on Netflix. The two series are closely related since they deal with the Sinaloa cartel that El Chapo ruled over. In season four of Narcos, Joaquín “El Chapo” Guzmán is only a bit player. Primary attention is on Miguel Ángel Félix Gallardo (Diego Luna), the founder of the cartel for which El Chapo served as a sicario (hitman). Another important character is Kiki Camarena (Michael Peña), the DEA agent who was tortured and killed by Gallardo’s henchmen in 1985. His death became a cause célèbre that led to the first in a series of escalations of the drug war.

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