Filmed in the agricultural heartland of Ukraine, “Bitter Harvest” begins with a depiction of the daily lives of peasants that in the 1920s followed patterns that had existed for hundreds of years. It is circumscribed by the growing season, the harvest, religious observations and festivals. Considering the deep roots of Ukraine’s agrarian society, there would be clashes with the new communist authorities under the best of circumstances.
COUNTERPUNCH FEBRUARY 24, 2017
“Bitter Harvest”, opening today at the AMC 25 Theater in New York is the first narrative film treatment of one of the 20th century’s greatest human disasters, the death by famine of millions of Ukrainians due to Stalin’s forced collectivization. The Ukrainians call this the Holodomor. The subject matter alone would make this film worth seeing, no matter your take on what is arguably a highly-charged question for many on the left. Beyond that, it is a dramatically compelling film about the life of a prototypical young Ukrainian from this period, a young man named Yuri (Max Irons, the son of Jeremy) who is torn between the peasant life of his native village and the allure of cosmopolitan Kiev where several his friends have gone to become part of the socialist experiment. For Yuri, Kiev is a place where he can also develop as an artist under the tutelage of instructors imbued with the revolutionary fervor of the pre-Stalinist USSR.