A year later, I let my subscription to Stone’s weekly lapse since I had joined the Trotskyist movement, whose newspaper The Militant brooked no competition. When you joined a group like the Socialist Workers Party, you felt like you were a chorus member in “West Side Story”:
When you’re a Jet,
You’re a Jet all the way
From your first cigarette
To your last dyin’ day.
You’re never alone,
You’re never disconnected!
You’re home with your own:
When company’s expected,
You’re well protected!
As it happened, I eventually felt so disconnected that I severed my ties in 1978 and began a two or three-year process getting my bearings. Part of that involved looking for leftist analysis that did not bear a sectarian stamp (I.F. Stone had stopped publishing in 1971). That led to a subscription to The Nation magazine that I found essential to my deprogramming. When a new issue arrived in my mailbox, the first page I always turned to contained Alexander Cockburn’s “Beat the Devil”. With the wars in Central America heating up, his blistering attacks on Ronald Reagan were as valuable to me as Stone’s on Vietnam.
As I became more deeply involved with Central America solidarity, it seemed to make sense to contribute to The Nation as a sustainer. Over a two or three-year period, I must have sent in over $500 but found my enthusiasm waning after Bill Clinton became president in 1993. Three years after his election, I cancelled my subscription having grown tired of how The Nation tailed after him, just as they are doing today with his wife and presumptive next president.
As iconic periodicals, the two are the subjects of documentaries I looked at this week. Directed by Fred Peabody, “All Governments Lie” is a tribute to Stone and to the men and women who follow in his footsteps (ostensibly) and that opens tomorrow at the Cinema Village in NY and the Laemmle Music Hall in LA. It is a survey of leftist electronic and print publications with which most CounterPunchreaders are probably familiar, ranging from Democracy Now to TomDispatch. For some reason, the one publication that is arguably more rooted in the I.F. Stone tradition than any other is omitted: CounterPunch.
Hot Type: 150 Years of The Nation was made in 2015 and can now be seen on iTunes for a mere $4.99. Directed by Barbara Kopple, who has come a long way since her first film “Harlan County USA”, has essentially made the kind of film that big corporations commission as a public relations outreach—something like Bill Gates would have paid Ric Burns to make. If your idea of film entertainment is listening to Katrina vanden Heuvel, Eric Alterman, Rachel Maddow and Rick Perlstein telling you how great the magazine is for 93 minutes, it is just what you asked for. I suffered through it because I think that the left has to contend with The Nation baring its fangs on behalf of a Hillary Clinton vote. It helped me to understand how such a reactionary politician can be endorsed by a magazine that has such an exaggerated view of its progressive credentials by seeing its principal personalities preen in front of Kopple’s camera. To call them lacking in self-awareness would be the understatement of the year.