COUNTERPUNCH WEEKEND EDITION MAY 15-17, 2015
Fifty-three years ago, long before I had heard of Edward Abbey and Abraham Polonsky, I saw a film titled “Lonely are the Brave” that was based on Polonsky’s adaptation of Abbey’s novel “The Brave Cowboy”. The film remains one of my favorites of all time with Kirk Douglas’s performance as a fugitive on horseback trying to elude a sheriff played by Walter Matthau permanently etched into my memory.
Many years later I would have the pleasure of hearing Abraham Polonsky speak at Lincoln Center at a screening for “Odds Against Tomorrow”, a film for which he wrote the screenplay three years before “Lonely are the Brave” but for which he did not receive credit. Using a “front” of the sort Woody Allen played in Walter Bernstein’s very fine movie about the witch-hunt, Polonsky was taking a first step toward reestablishing himself as a screenwriter.
In the panel discussion following the screening, Polonsky was asked whether he had problems writing a script with criminals as central characters when he spent so many years in the Communist Party and still retained progressive politics even after his resignation. He replied that American society itself was criminal and that the film’s characters were just trapped within the system.
“Lonely are the Brave” was by contrast a film with a most sympathetic character, a cowboy named Jack Burns who provokes a bar fight just to land in jail to help break out his old friend, a sheep rancher who has been arrested for sheltering undocumented workers from Mexico. I had no idea at the time how radical the film was, an obvious result of Edward Abbey’s ability to make such an outlaw look like a saint compared to the corporate malefactors that were destroying America’s greatest asset: its wilderness.
The very fine new documentary “Wrenched” that is available from Bullfrog Films is a loving tribute to Edward Abbey’s life as an artist and activist as well as a very astute assessment of Earth First!, the radical environmentalist group that was inspired by Abbey’s writings. Directed by ML Lincoln, a young female director and activist since her teens, it is a follow-up to her first film “Drowning River” that recounts the struggle against the Glen Canyon Dam in Arizona that found a fictional counterpart in Abbey’s most famous novel “The Monkey Wrench Gang”, from which her new film derived its title.
We learn that Abbey, who was born in 1927, became drawn to anarchism at a very early age under the tutelage of his aptly named father Paul Revere Abbey who was both a socialist and an anarchist—and obviously from a different ideological tradition than the one to which Abraham Polonsky belonged. As he matured and began to develop his own worldview, the son obviously aligned completely with anarchism, a result of his commitment to preserving wilderness—a goal unfortunately that has not been fully appreciated by Marxists, as I will explain later on.