COUNTERPUNCH WEEKEND EDITION APRIL 3-5, 2015
Rachel Lears and Robin Blotnick’s “The Hand That Feeds”
The New Face of the American Class Struggle
by LOUIS PROYECT
A 1954 film titled “Salt of the Earth” told the story of a courageous strike by the mostly Mexican-American zinc miners against a ruthless corporation that was based on a 1951 strike in New Mexico. Produced by Paul Jarrico and directed by Herbert Biberman, two Hollywood blacklistees, it was remarkable for both its power as film and for its fearless radicalism in a time when the left was being hounded out of existence. It derived much of its strength from the casting of New Mexican miners in leading roles, such as Juan Chacon, the president of a miner’s union, as a strike leader. And of critical importance in a time when reaction was running full throttle, the film depicted a victory of workers against insurmountable odds, just as had taken place in 1951.
I could not help but think about the 1954 classic when watching a screening of “The Hand that Feeds”, a documentary that opens today at Cinema Village in New York. If “Salt of the Earth” was a fictional film based on the facts of a real life strike, “The Hand that Feeds” is by contrast a factual film with all of the heartrending drama of a fictional film blessed with a “star” who led a struggle of twenty workers at Hot and Crusty, a bagel shop that was a stone’s throw from Bloomingdales in New York. In a panel on storytelling I chaired at this year’s Socially Relevant Film Festival, a documentary filmmaker explained that casting is as important for the documentary as it is for narrative films. One cannot imagine better casting for this documentary than the mostly undocumented Mexican workforce at Hot and Crusty, starting with Mahoma López, the 2014 counterpart to the Juan Chacon of sixty years ago.