Louis Proyect: The Unrepentant Marxist

June 27, 2014

Saïd Sayrafiezadeh behind the curve

Filed under: anti-Communism,literature — louisproyect @ 11:17 pm

Said Sayrafiezadeh, right, on his wedding day in 2005 along with his father, Mahmoud (Karen Mainenti, Pittsburgh Post-Gazette)

The latest issue of Book Forum has a section titled “War All the Time” that has reviews of books about war as well as essays by various people, including Saïd Sayrafiezadeh, the 46 year old Iranian-American who enjoyed 5 minutes of fame in 2009 as the author of “When Skateboards Will be Free”, a Trotskyist red diaper baby memoir that got rave reviews in the NY Times and Washington Post. My reaction was less enthusiastic:

The best thing that can be said about this memoir is that it is well written. Clearly, the author knows how to sustain a reader’s interest even if his story either stretches reality or in some cases breaks with it entirely. One doubts that this rather modest work of literature would have commanded the attention of the two most important papers in the United States if it had been about an unhappy childhood spent with Seventh Day Adventist or vegetarian parents imposing their beliefs on the author. There is something about the excesses of Marxist revolutionaries that gets the blood of a New York Times book review editor flowing.

He seems to be in a sophomore slump since his latest book “Brief Encounters with the Enemy”, a collection of stories that according to Amazon.com “chronicles modern, nameless cities crumbling in the shadows of war”, is ranked only 227,506 on Amazon.com, hardly enough to support the consumerist lifestyle the aging author enjoys or—more accurately—aspires to enjoy. In my review of “When Skateboards Will be Free”, I could not help but notice that his appetites were more that of the vulgarian than the artiste. From a 2009 interview in New York Magazine:

Q: So what do you say now when people start ranting about capitalism’s dying days?

A: People have been fucking saying that my whole life. I like my life, and I don’t really want to change. I don’t need society to be dismantled. I don’t want to feel guilty about the things I have. I have a 32-inch high-def flat-screen TV. I fucking love that thing, man.

My review looked askance at his claim that the SWP refused to take action against a babysitter member of the sect who molested him at his mother’s apartment in Brooklyn. The incidents would have occurred 40 years or so ago when the party was still relatively normal. But even if they did, I wonder why Sayrafiezadeh never bothered to report them to the police. Supposedly his mother protected the molester because she was anxious not to challenge the party leadership that wanted to protect him but what was Sayrafiezadeh’s excuse? Catholics have no trouble naming names, why doesn’t he? Is it possible that this incident was fictionalized to make the SWP look even worse than it was? We’ll never know, I guess.

“When Skateboards Will be Free” came out in early 2009. Since he probably began writing the book in 2007, or even earlier, there was no reason for him to acknowledge that a financial crisis would rob millions of Americans not only the opportunity to have a 32-inch high-def flat-screen TV but also a roof over their head.  Talk about being behind the curve.

Like an East German running across the demolished Berlin wall to buy bananas and porn, he assumed that American capitalism would go onward and upward forever. His memoir draws a contrast between his own desires to live a normal consumerist existence and his ridiculous parents’ utopian dreams about socialist revolution. His father, who surely risked his life arguing for socialism in the Islamic Republic, comes off particularly bad–ordering the wrong wine at a restaurant.

Maybe hoping to mine a few shekels from the anti-Communist industry,  Sayrafiezadeh’s article titled “Blood on the Tracts” returns once again to the sad, self-deluding world of his sectarian parents. Our writer begins:

THE BOOKS THAT LINED THE SHELVES in my mother’s home, and that, when I was growing up in Pittsburgh in the 1970s and ’80s, helped to shape my worldview, were almost entirely about war and written almost entirely by communists. There were Marx and Engels, of course, and Trotsky (not Stalin), but there were also quite a few other authors, hovering on the margins of the canon, such as Farrell Dobbs and George Breitman, less talented and lesser known, who would have been read, and published, by the truly initiated, namely members of the Socialist Workers Party.

What “war” could he possibly be writing about, unless he is referring to the class war in which case every single Marxist work would qualify? In terms of Dobbs and Breitman, the “less talented and lesser known”, this put down would have hardly mattered to them since their goal was to influence history rather than be interviewed in New York Magazine, the venue for articles on the very best chocolate and bargain rentals in the Hamptons.

He continues:

And because my mother was herself an avid reader, a former student of English literature who as a young woman had once dreamed of becoming a novelist—before being thwarted by a failed marriage, three children, and clinical depression—there could be found, occasionally, an anomaly wedged in between these other books. Steinbeck’s The Red Pony comes to mind. How it made its way onto our bookshelf, and, more to the point, how it remained, I have no idea. If there were other examples, and I’m sure there must have been, I cannot now specifically recall them. The reading of fiction, discouraged by the Socialist Workers Party, as most pursuits of pleasure were discouraged, was something that my mother undertook with considerable guilt and shame.

What an absurd statement. The reading of fiction was not “discouraged”. Nobody cared particularly what you did in your free time. I read everything by Charles Bukowski I could get my hands on. Most people did not read fiction for the same reason ordinary Americans do not read it. It is a dying art. People watch television or go to the movies. Who can blame them? I have 3 or 4 novels sitting on my bookshelves that I plan to read in the next year or so, mainly because they deal with political issues of some importance to me—like Jonathan Lethem’s novel about a Communist family. But I get more “pleasure” out of reading history or political analysis. If people were still writing like Steinbeck, I’d probably read that.

In terms of “most pursuits of pleasure” being discouraged, what an asinine remark. In the 1970s, SWP members went out to dinner, drank wine, fucked, played basketball or went to the beach just like other normal people did. The only difference between us and the rest of society is that we had less time to do such things because we were always at meetings.

After some more what a bunch of hairshirt assholes from Sayrafiezadeh, he gets into the question of Commies and warfare:

The literature taught well to expect the unhappy sequence of a second Great Depression, followed by a third world war that will dwarf the wars that have preceded it, followed by, if we were truly unlucky, fascism, followed, finally, by the rising up of the working class. These horrors to come dovetailed nicely with what had already arrived, i.e., the various military engagements that the United States was involved in during the years of my childhood, including those in Vietnam, El Salvador, Nicaragua, and Grenada, and the long stalemate with the Soviet Union. It would be hard to disprove at least some of the dire predictions of those books when all around us it seemed we were heading in that direction. In the spirit of other, more playful literary genres, like satire or science fiction, the literature of our household was not only exaggerating but also reflecting something that was already very real. It was also reflecting the state of our own broken family, with missing father and unhappy mother. Therefore, it would have been hard for me as a child not to somehow unconsciously be rooting for the world to hurtle, with even greater speed, toward all-out war. The fiction, as nightmarish as it might have been, provided me with solace: If war was what we had to go through in order to finally achieve a splendid life, then the faster we could begin the better. So, for instance, when the United States invaded Grenada and overthrew the Socialist government, the sadness that my mother and I shared was tempered by the understanding that of course things would be playing out this way, since Marx taught well that capitalism can only do what is in its nature to do. The years of my childhood brought more of the same, which is to say, more war, economic crisis, but no workers’ revolt, and eventually my mother, exhausted and disillusioned, resigned from the Socialist Workers Party and purged our household of its communist literature. Our best-laid plans had not come close to being borne out. But it’s not so easy to abandon one’s fantasies, and even as the years passed, and my mother tried, and failed, to become a writer, and I engaged in some decidedly capitalist behavior, like owning my own home, we occasionally found ourselves, at the beginning of yet another war, entertaining thoughts that the gravediggers would soon arrive. Still, we dreamed.

When I read such mind-numbing stupidity, I can understand why Random House published “When Skateboards Will be Free” and torpedoed the comic book I did with Harvey Pekar. The Trotskyists were not obsessed with war. They were for peace, especially in places like Nicaragua, Grenada and Cuba where attempts to create an alternative to capitalism had to be nurtured not bombed into submission.

He states: “Therefore, it would have been hard for me as a child not to somehow unconsciously be rooting for the world to hurtle, with even greater speed, toward all-out war.” Yes, I am sure that this is true. Children have confused thoughts. When I was six years old, I used to fantasize about going into outer space in a huge rocket ship that could satisfy all my desires like in “The Forbidden Planet”. At least after I grew up a bit, I realized that childhood fantasies should be left in the past since they are obstacles to coming to terms with life’s challenges. For a shithead like Saïd Sayrafiezadeh, they obviously serve some pecuniary interest since there is a market for red-baiting crap and not memoirs that celebrate a life led as a radical—warts and all.


  1. Maybe I should write a book. I’ll call it “When Heaven Is Assured”. After all, on the shelves of my oh-so-boring and slightly retarded parents home, a lowly River Rouge auto-worker and a modest Ohio farm girl, were titles by Jesus, that Catholic Bishop with the chalk-board, and various Popes and Saints. Heck, I think even Billy Graham made an appearance, being that he was one of my Grandmother’s favorites, the Protestant splitter and wrecker that she was.

    Funny thing is that when I went my separate way and began reading works by James Cannon and Farrell Dobbs, my parents gave me the space to do so, and I never felt the need to turn on them because we had different world-views. Dagnabit, they even let me retire from the church when I reached the age of fifteen. But how they must have struggled to put a few gifts under the X-Mas tree and the sacrifices they made to send my sister to nursing school and me to Ohio State. As I get older I miss them ever more, and my love for them is deep.

    What a sad creature this author is. What a petite-bourgeois. What a complete and utter phony.

    Comment by Dave — June 28, 2014 @ 12:46 am

  2. I have a slightly different explanation for this literary genre. American fiction abounds with works about the anxieties and alienation of the middle and upper middle class, with the classic tale (told over an over again like “The Loyal 47 Ronin”) being the one about the late 40s, early 50s college professor who fantasizes about having an affair with one of his graduate students. Associated with these kinds of stories are nostalgic ones about the past, and Said Sayrafiezadeh’s memoir could be a perverse example of it. Discerning readers probably recognize a romanticized longing in his contemptuous characterization of his family, friends and social experience. Neoliberalism was inevitable and we had to embrace it, so the sense of loss is transformed into a sour dismissiveness.

    If you are interested in a relevant political novel, Ma Jian’s “Beijing Coma” is excellent. The novel, based upon Jian’s participation in the Tiananmen Square protests and subsequent experiences during the 1990s neoliberalization, prefigures, on a much larger scale, the dilemmas faced by those who participated in Occupy.

    Comment by Richard Estes — June 28, 2014 @ 5:06 am

  3. You make it sound as if Saïd tries to make his father look bad by depicting a scene in which he orders the wrong wine at a restaurant. That’s an egregious mischaracterization. After receiving the wine he ordered, Mahmoud tries to send it back because it wasn’t the color he thought it would be. When the restaurant then refuses to give him a glass of wine of his preferred color for free, Mahmoud refuses to have dinner there, even though the mistake was entirely Mahmoud’s. The scene thus seems meant to reflect Mahmoud’s inability to admit error, and perhaps, by extension, the party’s.

    Comment by Gene — July 1, 2014 @ 1:32 am

  4. I doubt anybody would read this miserable book but it had the unbelievable effect of making me feel protective toward the SWP. Since I am considered one of the biggest haters of the SWP in the USA, that really says something.

    Comment by louisproyect — July 1, 2014 @ 2:36 am

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