Louis Proyect: The Unrepentant Marxist

April 4, 2014

Noah

Filed under: Counterpunch,Ecology,Film,religion — louisproyect @ 5:28 pm

Noah, Revised

A Hard Rain

by LOUIS PROYECT

More Tolkien than Torah, Darin Aronovsky’s “Noah” is a cinematic tour de force that combines breathtaking CGI-based imaginary landscapes with a film score by Clint Mansell that hearkens back to Hollywood’s golden age of Bernard Herrmann and Max Steiner. Even without a single minute of dialog, the film achieves the mesmerizing quality of Godfrey Reggio’s Qatsi trilogy, especially the last installment Naqoyqatsi, the Hopi word for “Life at War”.

Like other films that view the bible as a theme to riff on in the manner of Miles Davis improvising on a banal tune like “Billy Boy”, Aronovsky takes the material of Genesis 5:32-10:1 and shapes it according to his own aesthetic and philosophical prerogatives. As might be expected, the Christian fundamentalists are not happy with the film since it turns Noah into something of a serial killer on an unprecedented scale, acting on what he conceives of as “the Creator’s” instructions, namely to bring the human race to an end. Religious Jews who have a literalist interpretation of the bible have been far less vocal, no doubt a function of the Hasidic sects viewing all movies as diversions from Torah studies. (For those with unfamiliarity with Jewish dogma, the Torah encompasses the first five books of the Old Testament that are replete with fables such as the Great Flood, many of which have inspired some classic cinematography, such as Charlton Heston splitting the Red Sea.)

Unlike the fable it is based on, Aronovsky’s Noah never received instructions about being fruitful and multiplying. His intention is to leave the planet to the animals and wind down the human race’s participation in the tree of life, to use the title of Terrence Malick’s overrated 2011 film. In my view, Aronovsky has much deeper thoughts and more sure-handed cinematic instincts than Malick could ever hope for. To pick only one scene, the massive moving carpet of animals headed toward the Ark is a CGI tour de force. Instead of a stately procession in circus parade fashion, it is more like a zoological tsunami that anticipates the great tsunami soon to follow.

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1 Comment »

  1. I haven’t seen the film, but Tubal-Cain is a key figure in the Western mystical tradition – a sort of “patron saint of toolmakers,” and an analog to the Roman Vulcan. It’s inconceivable that reference isn’t intentional.

    Of course, the Timaeus is a key text in that same tradition – a text that may best be understood as a kind of exercise book in depth-psychology: an exploration, among other things, of conditions under which “the body” may be prone to bouts of logorrhoea.

    Comment by Alon — April 5, 2014 @ 5:24 pm


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