Louis Proyect: The Unrepentant Marxist

July 30, 2009

George Russell: one of the greats, dead at 86

Filed under: music — louisproyect @ 6:50 pm
NY Times, July 30, 2009

George Russell, Composer Whose Theories Sent Jazz in a New Direction, Dies at 86

By BEN RATLIFF

George Russell, a jazz composer, educator and musician whose theories led the way to radical changes in jazz in the 1950s and ’60s, died on Monday in the Jamaica Plain neighborhood of Boston. He was 86 and lived in Boston.

The cause was complications of Alzheimer’s disease, said his wife, Alice.

Though he largely operated behind the scenes and was never well known to the general public, Mr. Russell was a major figure in one of the most important developments in post-World War II jazz: the emergence of modal jazz, the first major harmonic change in the music after bebop.

Bebop, the modern style pioneered by Charlie Parker, Dizzy Gillespie and others, had introduced a new level of harmonic sophistication, based on rapidly moving cycles of dense and sometimes dissonant chords. Modal jazz, as popularized by Miles Davis and John Coltrane, sought to give musicians more freedom and to simplify the harmonic playing field by, in essence, replacing chords with scales as the primary basis for improvisation.

Mr. Russell explained the concept in great detail in a book that came to be considered the bible of modal jazz, “The Lydian Chromatic Concept of Tonal Organization for Improvisation.” Conceived during bouts with tuberculosis in the 1940s, the book was originally self-published in 1953 and published as a book six years later. A final revised edition was published as Volume 1 in 2001; Mr. Russell had been working on a second volume.

Mr. Russell’s concept could be difficult for readers to absorb. “When you are trying to communicate a new theory of music,” he told The New York Times in 1983, “the whole fight is to put the sentences together so that other people understand them. Sometimes, when I read them back, I don’t understand them.”

full article:  http://www.nytimes.com/2009/07/30/arts/music/30russell.html

2 Comments »

  1. I couldn’t climb the mountain of modal jazz improvization, so I remain stuck in George Shearing-style cool jazz. Maybe the originator can help me. Thanks for the reco.

    Comment by senecal — July 31, 2009 @ 2:38 am

  2. The whole youtube piece you’ve clipped from is online, and in it Russell explains some of his theory.

    I got to see him in a live outdoor concert once in the late 1970’s. Great music. Favorite album is Live at Beethoven Hall with Don Cherry.

    He also introduced us to Sheila Jordan, an unusual and great singer.(Russells’interpretation of You Are My Sunshine.)

    Comment by jp — July 31, 2009 @ 1:25 pm


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